for Concert Band
read by the USC Concert Band
Duration: 9min
   
 
   
 
 
 

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As the title suggests, Here, at War Again focuses on the subject of war in America which was prevalent at the time of its creation. The piece is programmatic and segmented, giving the listener the impression of several scenes from a movie - each with a different mood and purpose.

Throughout the work, the melody from Hail to the Chief is used as a base on which all other themes are built. Beginning slowly and in a minor key, the opening is reminiscent of a French overture for which the king would make his entrance. In this case, the bass line itself is the theme from Hail to the Chief - perhaps a not-so-subtle commentary on contemporary American politics.

 
 
Four Hundred Thousand Men

"Four hundred thousand men,"
Have gone to meet their God;
Four hundred thousand gallant men
From city, mountain side and glen
Beneath our banner trod;
For love of country firmly stood.
And sealed the Union with their blood.

"Four hundred thousand men,"
By millions loved and lost;
A sea of agonizing tears--
A waste of desolated years,
Of hearth-stones sorrow crossed,
A priceless sacrifice--'twas when
We gave "four hundred thousand men."

The gallant banner flaunting high,
The bugles sounding victory
Forth from each brazen throat,
May drown awhile the sighs and tears,
While we forget the griefs and fears,
Forget--each change to note--
Forget to ask--what got we, then,
For such a host of gallant men.

Vain politician!--who can boast,
Of his great saving schemes,
And jumbled words, and crooked creeds,
Stand in place of noble deeds,
And truth's eternal themes,
And--haste we to give power again
To those who slew the gallant slain.

Look at the host of bloody graves,
The finger marks of God--
And He who smiles, is He who saves,
And all that hecatomb of graves,
Are guide boards on the road!
Can we not read them?--read them! when,
They cost "four hundred thousand men."

 
 
- Anonymous
published in the Franklin Repository
October 17, 1866
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